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UPPER AND LOWER CLASS IN EMILY DICKINSON’S BECAUSE I COULD NOT STOP FOR DEATH, APPOINMENT IN SAMARRA AS RETOLD BY WILLIAM SOMMERSET MAUGHM, AND JOHN DONNES’S DEATH, BE NOT PROUD: A MARXIST CRITICS

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SLAVERY AND FREEDOM IN TOMI MORRISON’S BELOVED: A MARXIST CRITICS

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NEGATIVE WASHBACK OF NATIONAL EXAMINATION IN INDONESIA